Aa | 


1509 SALE NUMBER 1373 
ON PUBLIC EXHIBITION FROM MONDAY, NOVEMBER EIGHTEENTH 


ILLUSTRATED CATALOGUE 
oe 
OF 


Pee UABLE PAINTINGS 


TO BE SOLD BY ORDER OF 


EDYTHE H. BLUMENSTIEL 


AND OTHER COLLECTORS 


ON TUESDAY EVENING, NOVEMBER TWENTY-SIXTH 
AT 8:15 O CLOCK 


_,* 
(of f 4 


THE ANDERSON GALLERIES 
PARK AVENUE AND FIFTY-NINTH STREET 
NEW YORK 


\ 
x 


NOSe 


Valuable Paintings of 


Edythe He Blumenstiel and other Collectors 


Sold at the Anderson Galleries, November 26, 1918. 


Prices. 


$ 260-4 
2266 
2106 


Buyerée 


R.Trowbridge 
G Wells 
A-Levy 


G.Wells 
H.Schultheis 
S.D.eBowman 
A.Levy 
&.C.Converse 
JeHartog 


Clapp & Graham 


JeHartog 
C.Rohifs 
J ,Hartog 
G.C.Converse 


R idgway Knight's 
Painting Fetches 
Top Auction Price 


eae fe )=1 


-Paintings from the French, ‘Ameriein, 
Spanish and other. schools of modern: art, 
orming part of the collection. of the late 
Emanuel Blumenstiel and others, found 
ready ‘buyers at the sale in the Ande SON 
Galleries, Park enue and FHifty-ninth 
street, last night. J. Hartog paid $900; the 
top price of the night, for. Ridgway 


Knight’s “A Question by the Lake.” repre 


senting the American school, Méssi Clapp 


i< Graham, dealers, paid $010 for J: G. 
Brown’s “Making Her Jealous.” Ubi eae 58 
Converse bid $325 for Fritz Thaulow’s “On 
the Trentino,” a painting of the ] orwegian 
school. 

KE. E. Johnson: bought for $260 :Hamel’s 
“Home to the Fold,” a picture. of “the 
Dutch school. G. Wells paid $210 for J. J. 
Henner’s “Joan ,of Arc,” of the French 
School. A. Levy paid $200 for J. I. °Gé- 
réme’s “‘The Caravan,” and EK. EB. John- 
son paid $220 for Jean ' Georges Vibert’s 
“A. Prince of the Church. The tetal of 
the sale was $7,148. 


FROM A LONG SERIES OF SKETCHES OF 
BY ROSA BONHEUR 


[NUMBER 14 


es 
re 


‘ine 


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7 
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\ 
SALE NUMBER 13'73 
ON PUBLIC EXHIBITION FROM MONDAY, NOVEMBER EIGHTEENTH 


feewot RATED CATALOGUE 
OF 


VALUABLE PAINTINGS 


TO BE SOLD BY ORDER OF 


Pee tHe A. BLUMENSTIEL 


AND OTHER COLLECTORS 


ON TUESDAY EVENING, NOVEMBER TWENTY-SIXTH 


AT 8:15 O'CLOCK 


THE ANDERSON GALLERIES 
PARK AVENUE AND FIFTY-NINTH STREET 
NEW YORK 
1918 


NOME 


HE first thirty-eight lots in this ‘canibeee are ihe ey 
Edythe H. Blumenstiel, and as can be surmised fron 
tions on many of the paintings were collected by the well 
lover, the late Emanuel Blumenstiel. Not content with being 
paintings, Mr. Blumenstiel spent much of his time when abr 
company of artists, with happy results both in gifts and 
Particularly interesting are the long series of sketches 
Rosa Bonheur which will be of great interest to art students an 
The remaining pictures in this catalogue are the property o 
private collectors who for various reasons are rede 


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A\ 
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6 


PiSt Or ARTISTS 


PAINTING 
NUMBER 


ASSELYN, JAN 49 
BACKHUYSEN, L. 50 
BEAUQUESNE 69 
BERAUD, JEAN 67 
BLACKMAN, WALTER Go 
BODDINGTON, JR., E. 52, 54 


BONHEUR, ROSA 13, 14, 15, 16, 
fete 20 21.22, 23, 3/7 


BOUDIN, E. Bete fo, 9, 29 
BROWN, BOLTON COIT 58, 59, 
| 60, 61 
BROWN, J. G.-, Zl 
BUNNER, A. a3 
CANO, ALONZO 82 
CASANOVA, A. Ze 
CHASE, WILLIAM M. ek 
CLAYS, P. J. Hive 
CRAIG, THOMAS B. 31 
DABO, LEON 85, 86 
DE BOCK, THEOPHILE 1 
DE NEUVILLE, A. 24 
DETAILLE, EDOUARD (Wid ote 
DOLPH, geet 05,04, ./4, 76, 79 
DORE, GUSTAVE 46 
DRESSLER, E. J. 39 
DURAN, CAROLUS 
ESCOSURA, LEON Y 5 
GARRIDO, E. L. 48 
GEROME, J. L. 1! 


PAINTING 
NUMBER 


GERSTMANN, J. 87 
GREATOREX, MRS. ELIZA 38 
HAMEL 1 
HAQUETTE, G. 81 
HART, JAMES M. Do 
HENNER, J. J. 10 
HOLLMAN, CARL 42 
JACQUES, CHARLES 30 
FACOUET, (CO 7073 
JOHNSON, DAVID 66, 83 
KAEMMERER, T. H. 6 
KAMPF, ARTHUR 4 
KNIGHT, D. RIDGWAY 80 
LYNCH, ALBERT 78 
MARCK, L. 41 
MARKO, ANDREAS 56 
MAX, GABRIEL 47 
MEISSONIER 36 
MONET, CLAUDE az 
MUNTHE, LUDWIG 40 
RICO, M. 26 
SERIA, E. 84 
TAMBURINI, A. O25,05-4nA 
THAULOW, FRITZ 45 
VAN LEEMPUTTEN, C. 43 
VEYRASSAT, J. 25 


VIBERT, JEAN GEORGES 34375 


WYWICZKI, M. G. SF 


AR 


BeNDPPIONS On SALE 


1. All bids to be PER Lot as numbered in the Catalogue. 


2. The highest bidder to be the buyer; in all cases of disputed bids 
the lot shall be resold, but the Auctioneer will use his judgment as to the 
good faith of all claims and his decision shall be final. He also reserves 
the right to reject any fractional or nominal bid which in his judgment 
may delay or injuriously affect the sale. 


3. Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots 
purchased to be immediately resold. 


4. Purchases to be taken away at the buyer’s expense and risk im- 
mediately after the conclusion of the sale, in default of which The 
Anderson Galleries, Incorporated, will not be responsible if the lot or lots 
be lost, stolen, damaged, or destroyed, and they will be at the sole risk 
of the purchaser, and subject to storage charges. 


5. No lot will be delivered during the sale. 


6. All lots will be on public exhibition before the date of sale, for 
examination by intending purchasers, and The Anderson Galleries, In- 
corporated, will not be responsible except as hereafter noted, for the 
correctness of the description, authenticity, genuineness, or for any defect 
or fault in or concerning any lot, and makes no warranty whatever, but 
will sell each lot exactly as it is, WITHOUT RECOURSE. But upon receiving 
before the date of sale, expert opinion in writing that any lot is not as 
represented, The Anderson Galleries, Incorporated, will use every effort 
to furnish proof to the contrary, and in default of such proof the lot will 
be sold subject to the declaration of the aforesaid expert, he being liable 
to the owner or owners thereof for damage or injury occasioned by such 
declaration. 


7. All books are sold as catalogued, and are assumed to be in good 
SECOND-HAND condition. If material defects are found, not mentioned 
in the catalogue, the lot may be returned. Notice of such defects must 
be given and the goods returned within ten days from the date of the 
sale. Periodicals, and all miscellaneous books arranged in parcels, are 
sold not subject to return. 


8. Autograph Letters, Documents, Manuscripts and Bindings are sold 
as they are, without recourse. The utmost care is taken to authenticate 


9 


and correctly describe items of this character, but this Company will not 
be responsible for errors, omissions, or defects of any kind. 


9. TERMS CASH. If accounts are not paid at the conclusion of each 
sale, or, in the case of absent buyers, when bills are rendered, this Com- 
pany reserves the right to recatalogue the goods for immediate sale with- 
out notice to the defaulting buyer, and all costs of such resale will be 
charged to the defaulter. This condition is without prejudice to the 
rights of the Company to enforce the sale contract and collect the amount 
due without such resale at its own option. 


10. Bips. We make no charge for executing orders and use all bids 
competitively, buying at the lowest price permitted by other bids. 


11. The Anderson Galleries, Incorporated, will afford every facility 
for the employment of carriers and packers by the purchasers, but will 
not be responsible for any damage arising from the acts of such carriers 
and packers. 


Priced Copy of this Catalogue may be secured for fifty cents for each 
session of the sale. 


THE: ANDERSON GALEERi. 


INCORPORATED 
PARK AVENUE AND FIFTY-NINTH Sie 
NEWRY ORR 
TELEPHONE PLAZA 9356 CATALOGUES ON REQUEST 


SALES CONDUCTED BY MR. FREDERICK A. CHAPMAN 


10 


fav ees Pape) poe Mee Unmerue ew AF Heyes, ; 


HAMEL 


DUTCH SCHOOL G by 
, 


Pee tO) THE FOLD 


Many good painters exist among the modern Dutch landscapists 
who are little known in New York. Sober gray day, with crows 
flying to their nests and the shepherd driving the flock toward the 
fold. Autumn tints on underbrush. Characteristic peasant, seen 
from behind, his dog at his heels. Fine tones, excellent drawing. 
Boards, glazed. Water color. Signed to right, Hamel, 19006. 
Height, 21% inches; width, 30% inches. 


BK. BOUDIN 


FRENCH SCHOOL 


PeotupyY OF CLOUDS Ahb ce) 


Boudin became famous through his pictures of French seaports, # ne y 
and this sketch in water color and pastel is a study in cloud forms. q' 
Very excellent sense of movement. 

Boards, glazed. Water color. Signed to left, E. B. Height, 7 

inches; width, 10 inches. 


GAkROLUS DURAN 


FRENCH SCHOOL 


eee.) OPER 


Duran is best known as a distinguished portrait painter and as 
a teacher of painting who has had famous American pupils, such as 
Sargent, Beckwith, and others. Here is the portrait of a “character,” 
given in a brilliant, snappy technic. With one arm over a chair- 
back, outlined against a tavern wall on which jokes have been 
scrawled, this man sits with the sleepy smile of a toper. Clever, 
quick, sketchy work, not made for the market. Suggestive of Frans 
Hals. 
Canvas. Oil. Signed to right, Carolus Duran. Height, 34 inches; 
width, 21 inches. 


Rao OU IDEN 


FRENCH SCHOOL 


4.,; THE WHITE HORSE WASHING-PLACE 


| Small picture by Boudin of the spring behind the White Horse 
Tavern at Trouville, where the women did their washing in the 
primitive fashion of kneeling by the pool. Trouville now would be 
surprised at such a scene, for it has become an up-to-date fashionable 
resort. Curious as example of customs that will soon disappear 
from all parts of France. 
Canvas. Oil. Signed to left, E. Boudin. Height, 9 inches; width, 
10% inches. 


11 


LEON .Y-ESCOSURA | 


SPANISH SCHOOL 
GROUPLOPSR OY ALI SS 


In preparation for his large picture, ‘Parliamentarians and Royal- 
ists,” Escosura, the well-known Spanish painter of military and his- 
torical scenes, began this as a sketch. For a sketch it is highly 
finished, and the quality of the steel of the helmets, leather of the 
boots, cloth of the jerkins, is well defined. 

Panel. Oil. Signed at right, Léon y Escosura. Height, 12 inches; 
qwidth, 9 inches. 


T. H. KAEMMERES 


FRENCH. SCHOOLS 


ORANGE GIRL 

Presentation piece to Emanuel Blumenstiel. A comely orange 
girl has set down her basket and seated herself to fasten her garter. 
She turns her head to see that no one is looking. Plump figure, 
well-painted flesh and hair. Dedication to Mr. Blumenstiel in right- 
hand upper corner. 
Canvas. Oil. Signed to right, above, T. H. Kaemmerer. Height, 
to inches; width, 5% inches. 


Ky. BOUDIN 


FRENCH SCHOOL 


WAITING FOR THE FISHER PEI. 

A group of peasant women about a boat on a shoal beach. One 
stands apart and strains her eyes to distinguish the sails in the offing. 
Gray sky, thick toward the horizon. Fine composition and nice tones 
in group, sky and strand. 

Panel, cradled. Oil. Signed to right, E. Boudin. Height, to inches; 
width, 12 inches. , 


E. BOUDIA 


FRENCH SCHOOL 


S LUD Ore hols 

Another example of the care taken by Boudin that his pictures 
of seaports should be true to nature. Here is a fine study of clouds. 
Boards, glazed. Pastel. Signed to right, E. B. Height, 8Y% mches; 
width, 414 inches. 


ey BODES 


FRENCH SCHOOL 


FISHING LUGGERS IN SHORE 

Two sketches in one frame, fishing craft waiting for the ebb. 
Drawings touched with water colors. 
Paper, glazed. Drawing. Each signed to right, E. B. Height, 6% 
inches; width, 8% inches. 


12 


10. 


4/O.- 


J. J. HENNER 


FRENCH SCHOOL 4 Vs 


JOAN OF ARC 

Small bust profile of a beautiful but determined young woman, 
such as the Maid of Orleans was. Splendid tones of russet in hair, 
dark blue in gown. An excellent example of this famous modern 
painter. 
Canvas. Oil. Signed to left above, Henner. Height, to inches; 
width, & inches. 


13 


4 td.— 


Pr 


1A; 


J. L. GEROME 


FRENCH SCHOOL 


THE CARAVAN 


Presentation piece to Mr. Blumenstiel from the veteran French 
painter of the Orient. Dedication in left-hand lower corner of the 
canvas. The caravan is strung along the desert, headed for an oasis. 
The sun is well above the horizon, but turned blood-red because of 
a sandstorm coming on from the west. 


Canvas. Oul. Signed to left, J. L. Gérome. Height, 8 inches; width, 
I2 wches. 


14 


i: 


13. 


14. 


ey 


16. 


ee 


THEOPHILE DE BOCK 


DUTCH SCHOOL 


fen OoCAPE SKETCH 


Brilliant little pastel of a hill, scattered woods and racing clouds 
by one of the best modern landscapists of Holland, often associated 
with the Barbizon painters. Charcoal and colored crayons are used 
with a masterly hand. 

Boards, glazed. Pastel. Signed to right, Bock. Height, 11 inches; 
width, 17% imches, 


RO Sa DONTE UR: 


FRENCH SCHOOL 


Poet er LED BLACK 


Rosa Bonheur had a country place near Fontainebleau where she 
farmed, and kept horses and cattle. This portrait of a horse is well 
drawn and painted, and worthy of her brush. 

Canvas. Ou. Signed above to right, Rosa Bonheur. Height, 12% 
inches; width, 164% inches. 
Bought at the Rosa Bonheur sale. 


hos DONT UR 


FRENCH SCHOOL 
Charcoal and pencil, glazed. All signed by artist, and framed. 
SKETCHES OF ANIMALS 


Horses in two ranks (cavalry). 

Shoeing the Ox, etc. 

Lion and Lioness Asleep. 

Lions “couchant” and “regardant.” 

Horses and Horsemen. [Five pieces. | 


[SEE FRONTISPIECE | 


Bagpiper, Shepherd, Dog and Sheep. 

Bull Fight—Spanish Mule-pack (2 pieces). 

Hay Wagons and Peasants. 

Heads and Hindquarters of Lions. 

Driving the Bulls, Spain. [Five pieces. | 


Lion’s Profile. 

Rustic Scenes, Cows and Mules. 

Studies in Tigers. 

Lioness, front view. 

Heads of Lions (4 pieces). [Five pieces. | 


Breton Peasant Riding. 

Farm Horses and Cart. 

Lion Profile. 

Lions at Large (2 pieces). 

Lionesses (2 pieces). [Five pieces. | 


ie 


18. Horses, mares, foals. 
Empty and Full Hay Carts, Chickens (3 pieces). 
Cavalcades from Horse Fair (2 pieces). 
Lions, Lionesses “couchant.”’ 
Horses in Agriculture (2 pieces). [Five pieces. | 


19: Sheep and Goats (2 pieces). 
Lion Groups (2 pieces). 
Goats..(4 pieces). 
Horses in Quick Walk. 
Peasant Compositions. [Five pieces. | 


20. Lion Pairs at Rest. (2 pieces). 
Herd of Bulls. (Presentation to M. Curin.) 
Four-Ox Team at Rest. 
Driving the Bulls. 
Women Figures 


Horse Fair Sketches. [Five pieces. | 


A Horsemen and Horses. 
CExHeari 5 Oty ae 
Alpine Goats—Horses and Man (2 pieces). 
Horse Fair—Sketch for Stag Hunt (2 pieces). 
Shepherd and Sheep-dog. [Five pieces. } 


years Driving the Bulls. 
Controlling the Bull Drive. 
Lions (2 pieces). 
Pigs—Starting Bulls from Hills (2 pieces). 
Horses and Bull-fights (2 pieces). [Five pieces. } 


23. Sheep Shearers. 
Cattle at Rest. 
Sheep up a Gorge. 
Sheep’ and Shepherds. "~ Fen, and inks | 
The Lion Tamer. | Five pieces. | 


Av oD iss INAS Ns Ue as 


FRENCH SCHOOL 
Sketches and Compositions in Pencil and Pen and Ink; all signed. 


24. Charlemagne Crowned by Pope; St. Louis; A Combat (3 pieces). 
Cardinal Ximenes; A Monk; Queen Elizabeth (3 pieces). 
Ladies of 16th: Century {2 -pieces): 
Cavalcade of Nobles. 
Noble in Armor on Horse; Bowman. 
Medieval Figures (2 pieces). 
On paper boards, glazed. 


16 


oo 


ed: 


J. VEYRASSAT 


FRENCH SCHOOL 


wl THe WATERING PLACE 


Veyrassat was noted for his cattle. Thumbnail sketch of men 
taking horses to drink. Landscape in the vein of Rembrandt etch- 
ings. Clever little bit. 

Boards, glazed. Pen and ink. Signed to left, J. V. Height, 214 
inches; width, 3% inches. 


WE RICO 


FRENCH-SPANISH 


Seve NeTIAN FIGURINES 


Martin Rico passed most of each summer at Venice painting 
chiefly in the smaller canals. These little figures of women, a man 
and five children on a panel; al Senor Blumenstiel with his regards. 
Fach little wee face is characteristic. 

Panel. Signed to right, M. Rico. 


POObARD DETAILLE 
FRENCH SCHOOL 
DRAGOON OF THE GUARDS 


A private of the Guard Dragoons, with classic helmet, high boots, 
sword and long musket, stands in profile. Horses and tents to rear. 
Fine drawing, minute work. Remarkable little print. 


Boards, glazed. Etching. Signed to right, Edouard Detaille, 1586. 


Height, 7% inches; width, 5% inches. 


Puno NO VA 


SPANISH SCHOOL 


Beer Nisti PRIEST FIGURES 


_ A-page full of character sketches by Casanova y Estorach, dedi- 


_ cated affectionately to Mr. Blumenstiel. Some of the figures have 
_ explanatory notes attached; all are humorous, but kindly. Items for 


oil paintings of Spanish scenes, for which Casanova was celebrated. 
Paper, glazed. Signed, A. Casanova y Estorach, Paris, 1896. Height, 
14 inches; width, ro inches. 


E. BOUDIN 


FRENCH SCHOOL 


Peer me NCH VILLAGE 


Open square of a village, with men and women. A village festa. 
Nice quality and clever handling of gouache. 
Paper, glazed. Water color. Signed to right, E. B. Height, 8% 
inches; width, rr inches. 


17 


0) 


wake 


aie 


34. 


CHARLES JACQUES 


FRENCH SCHOOL 


fete eRe MMEhO AC OLNy, 

Jacques was a masterly painter of landscape with sheep, often in- 
cluded among the Barbizon artists. Very careful, yet freely drawn, 
view of a dilapidated hut near tall trees close to the highway. 
Paper, glazed. Drawings. Signed to left, Ch. Jacques. Height, 9% 
inches; width, 6% inches. 


THOMAS, -B.2 CRAIG 


AMERICAN SCHOOL 


ASOUTE TER ies a: 

Nice little cattle piece by a well-known American landscape 
painter. Three cows have come through the woods to drink from 
a sylvan rivulet. Good drawing of animals. 

Canvas. Ou1l. Signed to. left, Thos. B. Craig, AdV ee 
inches; width, 14 mches. 


CLAUDE MONE 


FRENCH SCHOOL 


SKY AL SUNDOWN 

Monet is the painter who undertook to change the method of 
painting landscape. He began the new school of pictures in light 
tones. This is a charming little view off shore, very simple and 
broadly drawn. 
Boards, glazed. Pastel. Signed to right, Claude Monet. Height, 
5% mches; width, 9 inches. 


A. CASANOVA Y *ES¢ OR 
[Attributed to] 
SPANISH SCHOOL 


PORTRAIT: OFA CARDING 

This little miniature is in Casanova’s style, and like the models 
he used for his compositions. Full of character and a capital bit 
of color. Altogether a choice piece, though not signed. 
Oil, glazed. Height, 3% inches; width, 2% inches. 


JEAN GEORGES VIBE 


FRENCH SCHOOL 


UNE CAUSE <GELEBRK | 
Pierrot and Columbine in the dock before the judge, while the 

accusing counsel is describing their misdeeds, and Harlequin, as the 

defending lawyer’s assistant, whispers in the old man’s ear. Fine 

variety of expressions on all the faces. 

Print on board, glazed. Etching by Vibert after his own painting. 

Signed to left, J. G. Vibert. Height, 14% inches; width, 24 mches. 


18 


4 


“ 
2 


Sy SY 


Sn. 


EDOUARD DETAILLE / $= 
FRENCH SCHOOL 
PRIVATE OF FRENCH. DRAGOONS . eM 


The uniform of the mounted rifles used first in Algiers when the 
American Civil War taught the combination of rifle and cavalry man. 
Fine brushwork of miniature finish, but very broad in handling. 
Detaille’s best period. ; 

Panel. Oil. Signed to right, E. Detaille, 1875. Height, 6 inches; 
width, 4% inches. 
i 


36. 


oo: 


MEISSONIER 


FRENCH SCHOOL 


POCKET SKETCH BOOK belonging to Meissonier, the famous 
painter of genre, and inherited from the widow of the painter by 
the Countess de Narral. Attestation by the Count, Sept. 20, 1899. 


ROSA“ BONHEUE 


FRENCH SCHOOL 
TWO POCKET SKETCH BOOKS full of sketches by Re By Allee 


memoranda. 


MRs.. ELIZA “GREATO Ria 


BRITISH SCHOOL 


. THE ROGER MORRIS MANSION 


An Englishwoman by birth and education, Mrs. Eliza Greatorex 
passed many years in America. She was noted for her flower pic- 
tures. Curious long panel with two wings, making a triptych, the 
wings closing over the panel. Wings and panel carved above and 
below, japaned in black and gold, gilded hinges and lion’s head 
handle. Picture of old and historical dwelling, northern part of 
Manhattan, New York City. . 

Panel. Signed to right, E. Greatorex. Height, 13? mches; width, 
6 inches. 


“BA DRESS Iawe 


AMERICAN SCHOOL 


ON THE EDGE OF THE FARM 


Landscape with oak grove to left and a barn to the right, before 
which are tents. Evening effects; well-painted clouds against a 
pale green veiled sky. Feeling for composition and tonal quality. 
Canvas. Oui. Signed to right, E. J. Dressler. Height, 17% mches; 
width, 23% imches. 

From the George N. Taylor Collection. 


LUDWIG MUN Ei 


NORWEGIAN SCHOOL 


40. THE MIDNIGHT SUN 


As well known in America as in Bavaria, this pupil of Munich 
masters enjoys a great reputation for his landscapes and marines. 
The present example is from high latitudes where at certain seasons 
the sun never sets. Rich tones, but effects of lonely grandeur, not 
disturbed by the single figure wandering along a snow-touched shore. 
Panel. Oil. Signed to right, L. Munthe. Height, 22 inches; width, 
I4 wmeches. 


20 


41. 


42. 


43. 


44. 


45. 


DWI Gk 


DUTCH SCHOOL 
bBaEEP IN STABLE 


A farmer’s boy is feeding fresh-cut grass to a flock of sheep 
in a stable. They feed from low-pitched mangers open on all sides. 
Good effect of light pouring into the dark stable. Excellent drawing 
and character in sheep and fowl. 

Canvas. Oil. Signed to right, L. Marck. Height, 19% inches; 
width, 26 inches. 


Schl HOLLMAN 


SWISS SCHOOL 


Meet SURPRISED BY FAUN 


In the style of the Swiss painter Arnold Bocklin, this fellow- 
countryman depicts ancient myth in a modern guise. The hook- 
nosed libertine is seizing the golden-haired nymph, but neither is 
he a satyr nor she a wild thing of the woods. A satirical picture. 
Canvas, glazed. Oil. Signed at bottom, Carl Hollman. Height, 
16% inches; width, 10% inches. 

From the Hugo Reisinger Collection. 


C VAN LEEMPUTTEN ee 
BELGIAN SCHOOL 
THE ON-COMING FLOCK J Moyus ne 


On the grassy road through the woods the flock of sheep coming 
home to the fold stop to nibble the short grass, while some stray 
away into the pasture. 

Canvas. Oil. Signed to left, C. Van SP dewale Height. 2514 
inches; width, 31 inches. 


ARTHUR KAMPF Fe: Be 
GERMAN SCHOOL 
MASON TOTING MORTAR Kory 
Professor Kampf has been President of the Berlin Art he 


that gives annual shows with prizes and medals. Broad brushwor k. 
The muscles of the nude torso and right arm are painted with great 
skill; also the suggestion of the underlying bones of arm and back. 
Canvas, glazed. Signed to right, A. Kampf. Height, 35 iches; 
width, 25 imches. 

From the Hugo Retsinger Collection. 


FRITZ THAULOW I4S- 


NORWEGIAN SCHOOL f 
Peete TRENTINO 4, ; boner 


A mass of red-tiled roofs surmounting a block of houses that 
project upon the stream. These colors, the pink clouds in the west, 
the movement of the wavelets in front make this a notable example. 
Fritz Thaulow rarely painted any landscape or townscape without 
including water. 

Canvas, glazed. Signed to right, Fritz Thaulow. Height, 22 inches; 
qwidth, 29 inches. 


zd 


46. 


47. 


AS. 


49. 


50. 


GUSTAVE DORE 


FRENCH SCHOOL 
GAULS IN COMBAT WITH ROMANS 


Inspired by Salvator Rosa, the genius of Gustave Doré was 
pleased to compose a battle between Roman horse and Gauls who 
defend an entrenchment near some crags. Bold landscape, lowering 
sky, sombre effect of light and shade. Splendid, rich coloring. 
Canvas, glazed. Oil. Height, 21 mches; width, 29 inches. 


GA BRIE Le NAGS 


AUSTRIAN SCHOOL 


ETE DSO Y OLIN Gy Gl inde 


Max is celebrated in Vienna and Munich for pictures of anecdote 
and history. In Germany his paintings fetch high prices. Here is 
a comely, fair-haired Gretchen nicely modeled as to features and hair. 
Canvas, glazed. Oil. Signed in right upper corner. Height, 13 
inches; width, 9% inches. 


BL SG Rs 


SPANISH SCHOOL 
PORTRALL OF AS EAD: 


Something of the quality of Alfred Stevens is found in this 
artist, but he adds a Spanish tang to it. Brilliant, alive treatment. 
The seated woman breathes and takes interest in what is going on, 
though completely at rest, her hands crossed on her lap. 

Panel. Oil. Signed to right, E. L. Garrido.” Height tain 
qidth, 9 inches. 
From the William M. Chase Collection. 


JAN ASSELYN 


FLEMISH SCHOOL 
TTALIAN, LANDSCAPE 


On a road leading from the stone bridge that straddles a river 
in the background a bunch of laden mules come forward. ‘They are 
led by a man in a red coat and plumed hat. Very beautiful tones. 
Exquisite painting of distant river and hills, with pale blue moun- 
tains behind. A morsel for a lover of old paintings. 

Canvas, glazed. Oul. Signed with monogram. 
From the Haggin sale. 


Ew BA CKITGAY Sass 


DUTCH SCHOOL 
FRESHENING BREEZE 


In his simple, straightforward fashion, this old Dutchman paints 
the ships and boats as they were in his day, and cares little about 
anything else, such as the water and sky. The latter are painted more 
or less on a pattern. Good representation of a fresh gale gathering, 
and its effect on different sails. 

Oil. Signed and dated, 1680, on sailboat to right. Height, 16 inches; 
width, 23% inches. 


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WV HE EIAM- Me GHASE 


AMERICAN SCHOOL 


eee ihe, FLOWERS 


Chase always loved to paint still life and flowers. This is a 
rich combination of flowers of a kind not usually seen in flower 
pieces. They are grouped hastily in a pewter pot, and are seen 
against a rich green hanging. A picture of real value. 

Canvas. O1l. Signed centre below, W. M. Chase. Height, 20 
mches; width, 26 inches. 


E. BODDINGTON, JR. 


BRITISH SCHOOL 
See DANKS OF THE THAMES 


View of the upper and less frequented reaches of the Thames in 
England, with harvesters resting among the lines of sheaves. Quiet 
landscape in the vein of Kenny Meadows. Boddington is one of 
several brothers named Williams, all of them painters. In order to 
distinguish themselves from the others, H. J. and Edward took the 
name of Boddington. 

Canvas. Outil. Signed to right, E. Boddington, 1855. Height, 9% 
inches; width, 18% inches. 


p= DUNNER 


AMERICAN SCHOOL 


AUTUMN HAS COME 

The approach of autumn is heralded by the sudden flaming of 
some maple or birch into red or gold. Here is such a warning 
caught by A. Bunner near the opening of the Highlands of the 
Hudson. 
Canvas. Oil. Signed to left, A. Bunner. Height, 9 inches; width, 
12 inches. 


E. BODDINGTON, JR. 


BRITISH SCHOOL 
feet kIVER LUDDON 


Quiet pastoral scene of river and cattle come to drink, arable 
land and pasture. A typical English landscape. 
Canvas. Signed to left, E. Boddington, Jr., Luddon, 1855. Height, 
9% inches; width, 18% inches. 


JAWLES M. HART, N.A. 


AMERICAN SCHOOL 


Meo LH LOWNE, ESSEX, N. Y. 


Mighty elms and plain wooden houses with white painted fence, 
alternating with rail. This is a bit of Elizabethtowne, Essex County, 
N. Y., painted many years ago by the veteran landscapist, James M. 
Elart. 

Canvas. Signed to left, James M. Hart. Height, 13 inches; width, 
2214 inches. 


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ANDREAS MARKO 


HUNGARIAN SCHOOL 


MARCHING TO MARKET IN -TTALX 


Over an ancient stone bridge passes the procession of contadine 
going to the market. A wide and imposing view of heights and 
plains, lake and mountains, old hill towns and Italian villas, extends 
beyond them, against which some of their figures show in the stately 
way like those of antique bas reliefs. The women carrying jars, 
baskets and wooden kegs on their heads are very striking. The 
artist must have studied these figures at Rome. Big decorative piece 
for a school, public building or museum. A son of the Hungarian 
painter, Karl Marko. | 
Canvas. Oil. Signed to right, And. Marko, 1891. Height, 40 inches; 
width, 54 inches. 


MG OG. OW YAWiIGZSs 


POLISH SCHOOL 


A NOMAD CHIEF 


A Polish admirer of Schreyer has painted in a vein like him. A 
nomad leader of Mohammedan peasants on a beautiful white Arab 
leads a packtrain escorted by men with rifles. Turban, embroidered 
shoes, loose trousers, yagathan and pistols in the broad belt give a 
Byronic touch. Able drawing of men and horses. 

Canvas. Signed to left, M. G. Wywicekt. Height, 20% meches; 
width, 20% inches. : | 


BOLTON. COIT BROWS 


AMERICAN SCHOOL 


WOODSTOCK HILLS—THE CATSKILLS 


A brilliant day with a brisk wind and shadows chasing over near 
and distant hills: The painter has hit very happily the effect of 
moving clouds and swaying branches. Done with a broad, sure 
brush. Mr. Brown is noted for his lithographs as well as paintings. 
Canvas. Oil. Signed to right, Bolton Brown. Height, 17 wmches; 
width, 24 inches. 


BOLTON COITT “BROW 


AMERICAN SCHOOL 


FISHING VILLAGE, MONTEREY «Garr 


A settlement on the dazzling sands of Monterey, California, where 
Chinamen live who take fish for the San Francisco market. Painting 
in a very light key, the artist gives vigor to the pale gray buildings 
with the green painted dories hauled up in the shadow of the shacks 
raised high on piling. Effects of sunlight through haze. This artist 
was long Art Director at the Leland Stanford University. 

Canvas. Oil. Height, 18 inches; width, 28 mches, - 


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BOLTON COIT BROWN 


AMERICAN SCHOOL 
WANING WINTER 


One of those moist days when every bit of snow and ice has left 
the open brooks and pasture lands and lingers only in sheltered nooks. 
A delicate haze in the air. Drab clouds and drab ploughed land. 
Distant hills faintly blue. Broadly painted. Mr. Brown has been 
art instructor at Cornell and Leland Stanford University. 

Canvas. Oil. Signed to right, Bolton Coit Brown. Height, 28 
inches; width, 36 inches. 


mol ON COLT BROWN 


AMERICAN SCHOOL 
THREE BATHERS 


Against the gray surface of a rock, overhung by woods, stand 
three nymphs of amber skin and brown gold hair, who are sporting 
in water, knee deep. Modernistic handling in a decorative way, with 
attention to the masses and outlines rather than details. Soft, sweet 
color notes. Good proportions in the nude figures. 

Canvas. Ol. Signed to left, Bolton Brown. Height, 28 wmches; 
width, 36 inches. 


oo TL AMBURENI 


ITALIAN SCHOOL 


Pree ELARER’S BEST WINE 


The monk in charge of the cellars of the monastery pours out a 
glass of red wine and looks up as if to say, “This time you will get 
an eye-opener!” Tamburini is a son of a painter of the same name 
—one of a family of artists. 

Canvas, glazed. Signed to left, A. Tamburim. Height, 16 inches; 
width, 1114 inches. 


7. HH. DOLPH, N.A. 


AMERICAN SCHOOL 


Poe BODY ’S.PET 


The late J. H. Dolph painted anecdotes, landscapes and marine, 
but won a name for a special gift in depicting dogs and cats. This 
is a good specimen of his ability to paint fur and give the lifelike, 
sedate and wise expression of a kitten. Dolph studied at Antwerp 
under Louis van Kuyck. 

Canvas, glazed. Signed to left, J. H. Dolph. Height, 12 inches; 
qwidth, 91% inches. 


Tee cDOLPH, NLA. 


AMERICAN SCHOOL 


ELAYMATES TWO 


Dolph tells a familiar story with a kitten and a puppy. They 
get on very nicely together while they are young. The painter gives 
very well the different quality of the cat’s skin and the dog’s. 
Canvas. Signed to left, J. H. Dolph. Height, 16 inches; width, 
12V% inches. 


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WALTER BUACK Wis 
AMERICAN SCHOOL 
POD AT rir Al) 


The pretty girl is always at a premium, and magazine covers and 
illustrations give some idea of her popularity. Here is Walter 
Blackman’s contribution: a brown-haired lass with dark eyebrows 
and a forehead not too high. 

Canvas... Oil. Signed upper right, Walter Blackman. Height, 18 
inches; width, 15 inches. 


DAVID JOHNSON, N.A. 


AMERICAN SCHOOL 


INLED (OF “THe REE R eS ON 


An oak grove to the right, gray rocks to the left, and the west 
bank of the Hudson in the background. A composition based on 
some actual view and painted with the sterling good sense and feeling 
for landscape of the late Academician. 

Canvas. Signed on the back, David Johnson. Height, 13 inches; 
width, 17 inches. 


JEAN BERAUD 


FRENCH SCHOOL. 
CHANGING AT A-STATION 


Béraud is celebrated for his pictures of Parisian street life, ball 
scenes, views of fashionable gatherings. This is Alpine travel, with 
tourists buying Alpine sticks. One of his well-dressed Parisian 
ladies is being led along by a guide. She is perched on a sure-footed 
mule. Typical mountain houses, huts and peasants. 
Canvas, glazed. Oul. Signed to left, Jean Béraud. Height, 16 
inches; width, 15 inches. 


A. TAMBURINI 


ITALIAN S SCHOOL 


WEA TSO) 2GOOD Chris 


Like Vibert, this Italian painter points good-humored fun at 
priests and monks. The monastery cook, with a grin on his ample 
face, shows another monk the fine vegetables and fruit which the 
begging friar has received during his tour among the faithful. Note 
the appreciation of the other. Excellent drawing and color. 
Canvas, glazed. Oil. Signed upper right, A. Tamburim, Paris, T8990. 
Height, 12 inches; width, 10% imches. 


BEAUQUESNE 
FRENCH SCHOOL 
AGGRO CIE MEG 


Portraits of poilus of the old Franco-Prussian War, painted by 
one of the best artists in military pictures. The sergeant is giving a 
sentinel instructions. Observe the fierce interest of both, showing 
that an engagement is about coming on. 

Canvas, glazed. Oul. Signed to left, Beauquesne, 1880. Height, 27 
inches, width, 18 inches. 


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74. 


G. JACOUET 

FRENCH SCHOOL 
THE YOUNG WIDOW 

The pensive look and the color of her gown and wrap denote 

the widow; but her coquettish ruffles and careful attention to the 
arrangement of her hair can only mean that she is “taking notice.” 
Jacquet was an able draughtsman and very successful in pictures 
of anecdote in high life. 
Canvas, glazed. Oil. Signed to right, G. Jacquet. Height, 18% 
inches; width, 15 inches. 


PG BROWN, ON.A. WEA. 


AMERICAN SCHOOL ‘blupp Fs Frahaye 


MeRING HER JEALOUS 

The little bootblack who was such a favorite sitter to the late 
J. G. Brown is teasing his friend, the fox terrier bitch, by caressing 
a half-grown pup. Laughing, he watches the terrier, to see how 
long she can stand it. Humorous scene in the best J. G. Brown vein. 
Canvas, glazed. Oil. Signed to left, Copyright, J. G. Brown. 
Height, 28 inches; width, 17 inches. 


Weel AMBURINI 


ITALIAN SCHOOL 


Sees VON THE CELLARER” 

The monk who attends to the wine is looking at a full glass 
against the light with a waggish expression. He is going to try it 
next by the sense of taste. Firm, clever drawing and nice attention 
to quality and texture of hair, robe, glass, etc. 

Canvas, glazed. Oil. Signed upper right, A. Tamburini, Florence. 
Height, 15 inches; width, 12 inches. 


G {JACQUET 
FRENCH SCHOOL 


fee BEAUTY, LOUIS SEIZE 
Among his ideal heads of pretty girls, Jacquet included some that 
recall the court beauties painted by Boucher and others before the 


_ French Revolution. This is a young lady of the northern French 


type, in ball dress severely simple, a couple of fresh roses her only 
decoration. 

Canvas, glazed. Signed to right, G. Jacquet. Height, 18% inches; 
width, 15 inches. | 


J. H. DOLPH, N.A. 


AMERICAN SCHOOL 
BEGINNING THE GAME 


Not yet a regular cat-fight, but these five kittens are starting in 
to learn how to claw and bite for keeps. Dolph had a very difficult 
task to give each kit a separate, yet natural, movement or attitude, 
but he has done it well. The overturned ink bottle and the books 
and pictures suggest a catastrophe. 

Canvas, glazed. Oil. Signed to left, J. H. Dolph. Height, 14% 
inches; width, 24 inches. ; 
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JEAN GEORGES *VIBERe 
FRENCH SCHOOL 

AS URIN GEOR? hii sid GR 

Vibert found so much pleasure in the colors of the robes of prel- 
ates of the Roman Church that he became a specialist. His genre 
pictures in that line are in all the art museums. Observe in this 
picture of a cardinal the different reds for the different textures 
of robe, cardinal’s hat and shoes. Here we have the haughty, com- 
manding cardinal, such as Richelieu—the feudal prince doubled by 
the magnate of the Church. A striking, masterly work. 
Paper, glazed. Water color. Signed to right, J. G. Vibert. Height, 
IS inches; width, 12 inches. 


J. H. DOLPH Ne 
AMERICAN SCHOOL 

A; BUNGH? OF “LIVER shor 

Five fox-terrier puppies are grouped in and about the basket 
where they sleep. Two are tumbling in play, two are half asleep, one 
is barking. Nice natural movement, good composition, true quality 
of painting the fur. 
Canvas, glazed. Ou. Signed to left, J. H. Dolph. Height, 16 inches; 
width, 231% wmches. 5 


P. Paci Ane 
MODERN DUTCH SCHOOL 

MOONTIGHT ON@ THES SCHED 

Dutch luggers at anchor or drifting on the broad waters by the 
Scheldt. A cloudy sky with a climpse of the full moon. Sterling 
work by one of the best of modern painters in the Netherlands. 
Rich tones and soft outlines. A little masterpiece. 
Board, glazed. Water color. Signed to right, P. J. Clays. Height, 
13 inches; width, 1&8 wmches. 


ALBERT =a er 
PERUVIAN SCHOOL 

FANCY FREE 

Albert Lynch, a Peruvian by birth, became a Parisian by adop- 
tion and received high honors in France. The type he has chosen in 
this ideal bust is British rather than French. Beautiful pensive ex- 
pression, fine painting of hair and gown, excellent modeling of fea- 
tures, the work of a master. 
Canvas, glazed. Ol. Signed to right, Albert Lynch. Height, 26 
inches; width, 22 wmches. 


J. Hy DOLPHY Ras 
AMERICAN SCHOOL 

KITTENS “ONe MIS@GHTER 

Having overturned a wastepaper basket, three kittens are playing 
in and over the basket while a fourth stalks the others from behind 
a curtain. Varied attitudes well studied and registered. 
Canvas, glazed. Oud. Signed to left, J. H. Dolph. Height, 16 
inches; width, 23% inches. 


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84. 


D. RIDGWAY KNIGHT vi fT x 


AMERICAN SCHOOL % 
A QUESTION BY THE LAKE 


Ridgway Knight has made Paris his home for many years and 
won medals in the Salons. The young French peasant girl strolling 
among flowers on the edge of the lake is debating in her mind some 
question of absorbing interest; we are left to guess what it is. 
Charming tones in head and neck-scarves, flowers and wavelets. 
Canvas, glazed. Oil. Signed to right, Ridgway Knight. Height, 
32% inches; width, 25% inches. 


G. HAQUETTE 4070 - 


FRENCH SCHOOL EA A heurinéts 


Peon GkMiN IN A SQUALL 

Haquette is widest known by his “Helping Hand,” the little girl 
in the fisher’s boat. Two longshoremen are pulling a heavy boat with 
sweeps. The stern shows she belongs to Havre. The shock of the 
squall has thrown the bow oar out of the thole pins and the man 
is near catching a crab. Big swell of sea, lively motion of rowers; 
in the back are seagulls hovering. : 
Canvas, glazed. Oil. Signed to right. G. Haquette. Height, 25 
inches; width, 321% inches. 


ALONZO GANO 

[Attributed to] 

SPANISH SCHOOL 
PIETA—VIRGIN WITH CRUCIFIED CHRIST 

This large and important canvas with a moving group of the 

Virgin Mary holding her martyred son on her lap has been always 
attributed to the old Spanish painter Alonzo Cano. This attribution 
is not guaranteed. The painting is fine enough to stand alone. 
Canvas. Height, 69 inches; width, 52 inches. 


DAVID JOHNSON, N.A. 
AMERICAN SCHOOL 

fei OU CHNTRAL PARK 

One of the wildest bits, left just as it was by the landscape archi- 
tects of Central Park, Manhattan, is near the old powder house. 
Here is one of the late David Johnson’s thorough and careful studies, 
with special care given to the spare foliage of autumn. 
Canvas, Oils. Signed to right, D. J.in monogram, and dated October, 
1868. Height, 14 inches; width, 21 inches. 
From the M. C. Gould collection. 


Mimo ERIA 
SPANISH SCHOOL 

ANDALUSIAN GIRL 

Half length of young girl having the light hair attributed to the 
Vandals and the almond eyes attributed to the Moors in Spain. Rich 
brushwork, good expression of character in the beautiful face. 
Decorative figure piece. 
Canvas, Oils. Signed to right, E. Seria. Height, 28 inches; width, 
18 inches. 


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87. 


LEON DABO 


AMERICAN SCHOOL 
CERES DR YoAG) 


In the pale moonlight an undraped figure stands near the edge 
of a wood; it is the nymph of the oak tree who appears to poets and 
children when visiting solitary woods. This Dryad is painted as if 
composed of moonshine. Trees and shrubs are mysterious like the 
figure. Léon Dabo is widely known for his individual style. 

Oil, boards. Signed to left, Léon Dabo with monogram. 


LEON DABO 


AMERICAN SCHOOL 
NIGHT ON THE HUDSON 


Nocturne with pale mysterious slender trees and a draped figure 
of a woman in the foreground. Wide expanse of river, distant 
beads of light near the farther shore. Apparently a view from the 
Palisades eastward. The newly risen moon gives a spectral appear- 
ance to the landscape. Excellent example of an artist ie work 
is original and distinguished. 

Canvas, Oils. Signed to right, Léon Dabo, with monogram. Height, 
30 inches, width, 34 inches. 


J. GERSTMANN 


BAVARIAN SCHOOL 


FRAUEN INSEL, CHIEM SEA 

View of one of the fine lakes of the Bavarian Tyrol and of an 
island where the people in times of invasion used to send their 
women and children. Robust painting of trees and landscape, island 
and distance of Alps. Quiet yet gay with sunlight and lilac-tinted 
clouds. | 
Canvas, oils. Signed to left, J. Gerstmann. Height, 24 mches; 
width, 30% inches. 


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